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csound-doc-5.19.01-10.mga5.noarch.rpm

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    <div class="refentry" title="sinsyn">
      <a id="sinsyn"></a>
      <div class="titlepage"></div>
      <a id="Indexsinsyn" class="indexterm"></a>
      <div class="refnamediv">
        <h2>
          <span class="refentrytitle">sinsyn</span>
        </h2>
        <p>sinsyn — 
      Streaming partial track additive synthesis with cubic phase interpolation 
    </p>
      </div>
      <div class="refsect1" title="Description">
        <a id="idp43094864"></a>
        <h2>Description</h2>
        <p>
  The <span class="emphasis"><em>sinsyn</em></span> opcode takes an input containg a TRACKS pv streaming signal (as generated,
  for instance by the <span class="emphasis"><em>partials</em></span> opcode). It resynthesises the signal using linear amplitude and cubic phase
  interpolation to drive a bank of interpolating oscillators with amplitude scaling control. <span class="emphasis"><em>sinsyn</em></span> 
  attempts to preserve the phase of the partials in the original signal and in so doing it does not allow for
  pitch or timescale modifications of the signal.
    </p>
      </div>
      <div class="refsect1" title="Syntax">
        <a id="idp43125288"></a>
        <h2>Syntax</h2>
        <pre class="synopsis">asig <span class="command"><strong>sinsyn</strong></span> fin, kscal, kmaxtracks, ifn</pre>
      </div>
      <div class="refsect1" title="Performance">
        <a id="idp43126336"></a>
        <h2>Performance</h2>
        <p>
      <span class="emphasis"><em>asig</em></span> -- output audio rate signal
    </p>
        <p>
      <span class="emphasis"><em>fin</em></span> -- input pv stream in TRACKS format
    </p>
        <p>
      <span class="emphasis"><em>kscal</em></span> -- amplitude scaling
    </p>
        <p>
      <span class="emphasis"><em>kmaxtracks</em></span> -- max number of tracks in sinsynthesis. Limiting this will cause
	    a non-linear filtering effect, by discarding newer and higher-frequency tracks (tracks are ordered
	    by start time and ascending frequency, respectively)
    </p>
        <p>
      <span class="emphasis"><em>ifn</em></span> -- function table containing one cycle of a sinusoid (sine or cosine).
    </p>
      </div>
      <div class="refsect1" title="Examples">
        <a id="idp43129152"></a>
        <h2>Examples</h2>
        <p>
      Here is an example of the sinsyn opcode. It uses the file <a class="ulink" href="examples/sinsyn.csd" target="_top"><em class="citetitle">sinsyn.csd</em></a>.
      </p>
        <div class="example">
          <a id="idp43130120"></a>
          <p class="title">
            <strong>Example 777. Example of the sinsyn opcode.</strong>
          </p>
          <div class="example-contents">
            <p>See the sections <a class="link" href="UsingRealTime.html" title="Real-Time Audio"><em class="citetitle">Real-time Audio</em></a> and <a class="link" href="CommandFlags.html" title="Csound command line"><em class="citetitle">Command Line Flags</em></a> for more information on using command line flags.</p>
            <pre class="programlisting">
<span class="csdtag">&lt;CsoundSynthesizer&gt;</span>
<span class="csdtag">&lt;CsOptions&gt;</span>
<span class="comment">; Select audio/midi flags here according to platform</span>
-odac      <span class="comment">;;;realtime audio out</span>
<span class="comment">;-iadc    ;;;uncomment -iadc if realtime audio input is needed too</span>
<span class="comment">; For Non-realtime ouput leave only the line below:</span>
<span class="comment">; -o sinsyn.wav -W ;;; for file output any platform</span>
<span class="csdtag">&lt;/CsOptions&gt;</span>
<span class="csdtag">&lt;CsInstruments&gt;</span>

<span class="ohdr">sr</span> <span class="op">=</span> 44100
<span class="ohdr">ksmps</span> <span class="op">=</span> 32
<span class="ohdr">nchnls</span> <span class="op">=</span> 2
<span class="ohdr">0dbfs</span>  <span class="op">=</span> 1

<span class="oblock">instr</span> 1

kmxtr <span class="opc">init</span> p4
ain   <span class="opc">diskin2</span> "fox.wav", 1
fs1,fsi2 <span class="opc">pvsifd</span> ain, 2048, 512,1	<span class="comment">; ifd analysis</span>
fst   <span class="opc">partials</span> fs1, fsi2, .03, 1, 3, 500 <span class="comment">; partial tracking</span>
aout  <span class="opc">sinsyn</span> fst, .5, kmxtr, 1		<span class="comment">; scale amplitude down</span>
      <span class="opc">outs</span> aout, aout

<span class="oblock">endin</span>
<span class="csdtag">&lt;/CsInstruments&gt;</span>
<span class="csdtag">&lt;CsScore&gt;</span>
<span class="stamnt">f</span>1 0 8192 10 1

<span class="stamnt">i</span> 1 0 2.7 15	<span class="comment">;filtering effect by using low number of tracks</span>
<span class="stamnt">i</span> 1 + 2.7 500	<span class="comment">;maximum number of tracks</span>
<span class="stamnt">e</span>
<span class="csdtag">&lt;/CsScore&gt;</span>
<span class="csdtag">&lt;/CsoundSynthesizer&gt;</span>
</pre>
          </div>
        </div>
        <p><br class="example-break" />
    </p>
        <p>The example above shows partial tracking of an ifd-analysis signal and cubic-phase additive resynthesis.</p>
      </div>
      <div class="refsect1" title="Credits">
        <a id="idp43132696"></a>
        <h2>Credits</h2>
        <p>
      </p>
        <table border="0" summary="Simple list" class="simplelist">
          <tr>
            <td>Author: Victor Lazzarini</td>
          </tr>
          <tr>
            <td>June 2005 </td>
          </tr>
        </table>
        <p>
    </p>
        <p>New plugin in version 5</p>
        <p>November 2004.</p>
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