sr = 44100 ksmps = 441 nchnls = 2 0dbfs = 40000 ; Bind named control channels to global variables. gkDistortFactor chnexport "gkDistortFactor", 3 gkDistortFactor init 1.0 gkReverbscFeedback chnexport "gkReverbscFeedback", 3 gkReverbscFeedback init 0.9 gkMasterLevel chnexport "gkMasterLevel", 3 gkMasterLevel init 1.0 gareverb1 init 0 gareverb2 init 0 instr 1 iattack init 40.0 idecay init 40.0 isustain init p3 - iattack p3 = p3 + idecay print p1, p2, p3, p4, p5, p6 ifundamental = p4 inumerator = p5 idenominator = p6 ivelocity = p7 ipan = p8 iratio = inumerator / idenominator ihertz = ifundamental * iratio iamp = ampdb(ivelocity) kenvelope transeg 0.0, iattack / 2.0, 2.5, iamp / 2.0, iattack / 2.0, -2.5, iamp, isustain, 0.0, iamp, idecay / 2.0, 2.5, iamp / 2.0, idecay / 2.0, -2.5, 0.0 asignal poscil3 kenvelope, ihertz, 1 asignal distort asignal, gkDistortFactor, 2 aleft, aright pan2 asignal , ipan gareverb1 = gareverb1 + aleft gareverb2 = gareverb1 + aright endin instr 30 aleft, aright reverbsc gareverb1, gareverb2, gkReverbscFeedback, 15000.0 aleft = gkMasterLevel * (gareverb1 + aleft * 0.8) aright = gkMasterLevel * (gareverb2 + aright * 0.8) outs aleft, aright gareverb1 = 0 gareverb2 = 0 endin instr 40 ; p4 = gain of reverb. Adjust empirically ; for desired reverb time. .6 gives ; a good small "live" room sound, .8 ; a small hall, .9 a large hall, ; .99 an enormous stone cavern. ; p5 = amount of random pitch modulation ; for the delay lines. 1 is the "normal" ; amount, but this may be too high for ; held pitches such as piano tones. ; Adjust to taste. ; p6 = cutoff frequency of lowpass filters ; in feedback loops of delay lines, ; in Hz. Lower cutoff frequencies results ; in a sound with more high-frequency ; damping. ; 8 delay line FDN reverb, with feedback matrix based upon ; physical modeling scattering junction of 8 lossless waveguides ; of equal characteristic impedance. Based on Julius O. Smith III, ; "A New Approach to Digital Reverberation using Closed Waveguide ; Networks," Proceedings of the International Computer Music ; Conference 1985, p. 47-53 (also available as a seperate ; publication from CCRMA), as well as some more recent papers by ; Smith and others. ; Coded by Sean Costello, October 1999 ipitchmod = 0.98 itone = 16000 ain1 = gareverb1 ain2 = gareverb2 asignal = (ain1 + ain2) * 0.5 afilt1 init 0 afilt2 init 0 afilt3 init 0 afilt4 init 0 afilt5 init 0 afilt6 init 0 afilt7 init 0 afilt8 init 0 idel1 = (2473.000/sr) idel2 = (2767.000/sr) idel3 = (3217.000/sr) idel4 = (3557.000/sr) idel5 = (3907.000/sr) idel6 = (4127.000/sr) idel7 = (2143.000/sr) idel8 = (1933.000/sr) ; k1-k8 are used to add random pitch modulation to the ; delay lines. Helps eliminate metallic overtones ; in the reverb sound. k1 randi .001, 3.1, .06 k2 randi .0011, 3.5, .9 k3 randi .0017, 1.11, .7 k4 randi .0006, 3.973, .3 k5 randi .001, 2.341, .63 k6 randi .0011, 1.897, .7 k7 randi .0017, 0.891, .9 k8 randi .0006, 3.221, .44 ; apj is used to calculate "resultant junction pressure" for ; the scattering junction of 8 lossless waveguides ; of equal characteristic impedance. If you wish to ; add more delay lines, simply add them to the following ; equation, and replace the .25 by 2/N, where N is the ; number of delay lines. apj = .25 * (afilt1 + afilt2 + afilt3 + afilt4 + afilt5 + afilt6 + afilt7 + afilt8) adum1 delayr 1 adel1 deltapi idel1 + k1 * ipitchmod delayw asignal + apj - afilt1 adum2 delayr 1 adel2 deltapi idel2 + k2 * ipitchmod delayw asignal + apj - afilt2 adum3 delayr 1 adel3 deltapi idel3 + k3 * ipitchmod delayw asignal + apj - afilt3 adum4 delayr 1 adel4 deltapi idel4 + k4 * ipitchmod delayw asignal + apj - afilt4 adum5 delayr 1 adel5 deltapi idel5 + k5 * ipitchmod delayw asignal + apj - afilt5 adum6 delayr 1 adel6 deltapi idel6 + k6 * ipitchmod delayw asignal + apj - afilt6 adum7 delayr 1 adel7 deltapi idel7 + k7 * ipitchmod delayw asignal + apj - afilt7 adum8 delayr 1 adel8 deltapi idel8 + k8 * ipitchmod delayw asignal + apj - afilt8 ; 1st order lowpass filters in feedback ; loops of delay lines. afilt1 tone adel1 * gkReverbscFeedback, itone afilt2 tone adel2 * gkReverbscFeedback, itone afilt3 tone adel3 * gkReverbscFeedback, itone afilt4 tone adel4 * gkReverbscFeedback, itone afilt5 tone adel5 * gkReverbscFeedback, itone afilt6 tone adel6 * gkReverbscFeedback, itone afilt7 tone adel7 * gkReverbscFeedback, itone afilt8 tone adel8 * gkReverbscFeedback, itone ; The outputs of the delay lines are summed ; and sent to the stereo outputs. This could ; easily be modified for a 4 or 8-channel ; sound system. aout1 = (afilt1 + afilt3 + afilt5 + afilt7) aout2 = (afilt2 + afilt4 + afilt6 + afilt8) ; To the master output. aleft = gkMasterLevel * (gareverb1 + aout1 * 0.8) aright = gkMasterLevel * (gareverb2 + aout2 * 0.8) outs aleft, aright gareverb1 = 0 gareverb2 = 0 endin